I’m reading Marshall W. Mason’s “The Transcendent Years The Circle Repertory Company and the 1960’s”. For context- I got to see the Broadway production of Lanford Wilson’s “Fifth of July” in 1980 with, movingly, and ironically, Christopher Reeve playing a paraplegic. (See my blog post Happy Lanford Wilson Day)
More about that landmark play another time.
Mason’s book is a history of The Circle Repertory Theatre company and therefore an overview of Wilson’s output as a playwright (and Mason as a director).
So I am slowing down my progress through the memoir by reading the plays of Wilson, as they come up. Many are short one acts. All are unique. Wilson was a trailblazer from the start. His very first plays (“Home Free!” and “The Madness of Lady Bright”) broached, in turn, incest, and the life of a drag queen. Not easy subjects at any time for a writer. That he could humanize them compellingly speaks to his talent.
More to come….

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