I got to see the revival (and Broadway premiere) of Mart Crowley’s The Boys in the Band, the benchmark play with the all-gay cast from 50 years ago.
I saw the play in revival in a Toronto production in the 1980’s. I recalled a play of great wit and pain.
The night I went to the Broadway production, the main character (portrayed effectively by Jim Parsons), Michael, descending into his drunken tirade against his party guests, hurling racial and homophobic insults, got empathy for his neediness but not for his drunken slurs. Were they meant to be funny in 1968? Did they amuse in the 1980’s Toronto version? I can hardly print them here- the “N” word; “Coon”, and more. In 2018, they seemed to wound the audience, as well as the characters.
Times are changing. The sarcasm of plays like Boys and its influence- Albee’s Who’s Afraid of Virginia Woolf? – might be out of reach for today’s sensitized audience.
The wit is still appreciated. Maybe not the vitriol?

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